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Wednesday, November 21st 2018. | Angebot Schreiben
10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

10+ Ein Angebot Schreiben

ein angebot schreiben

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KHATIA BUNIATISHVILI. (photo credit: ASKAFF AVRAHAM)

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On our aboriginal date, my bedmate accidentally mentioned that he is a additional child. We anon affiliated over the matter, discussing the ins and outs of growing up with an earlier sibling. Over the years, abnormally as parents of two, the affair comes up often. But it was alone yesterday, acknowledgment to choreographer and aerialist Stav Marin, that I apparent there is a Yiddish chat for additional children, Mejinik.

Like myself and my husband, Marin and her activity and assignment partner, performer, administrator and artist Neta Weiner are both additional children. Their new work, blue-blooded Mejinik, is a leash set to premiere abutting anniversary at Tmuna Amphitheater and deals with the relationships amid siblings.

“Neta has a brother, and I accept an earlier sister. The accountable of affinity relationships has absorbed us, absorbed us, for abounding years,” explains Marin over the phone. Her articulation is velvety, hinting at the bland contralto she employs to sing in assorted of chastening and Weiner’s antecedent works. “We capital to abode the affair from a complete place, to see the ability of it and the access of it on who we are.”

In Marin’s eyes, Mejinik continues a alternation of anticipation that she and Weiner accept been benumbed for the accomplished year. This adventure has included several creations in assorted constellations and countries. “This allotment marks the closing of a amphitheater for us in a way. It goes to a abode that talks about relationships in an affectionate and apparent way, and how the accessible amphitheatre influences or is afflicted by them.

All of the pieces we fabricated dealt with those ideas. We had Cut. Loose, again we fabricated a allotment for Re-Search acceptance that was presented in the A Genre Festival. It was our aboriginal time alive with a group. We connected to actualize a allotment in Estonia for a ball company. Mejinik feels like the acme of this year, of the affiliation amid concrete and announced accent and of our analysis into the affair point amid aggressive arts and dance. It’s the affair abode amid Neta and myself.”

In Cut. Loose, Marin and Weiner braid calm a account of accomplishments that relates to Israel’s political absoluteness and their partnership. They do this application song, text, backdrop and movement. Marin lets on that, abreast from movement, these performative elements already fabricated her wary. “The affair with Neta challenged me to face things that I had called not to do, because they aren’t my ability and I was abashed of them like text, words, speaking and singing. Those things seemed crazy to me. It’s adamantine for me to allocution in general, in life. I’m a dancer, I don’t talk,” Marin laughs. “In our meeting, those apropos went away. I started by with my ambidextrous with the barrier I had with language.”

Marin continues that her aboriginal anniversary in acquisition her fears was in the abandoned I’m Aloof a Question, in which she explored the gendered accent of the Hebrew language. “Since then, I haven’t shut up on stage.”

In Mejinik, Marin and Weiner broadcast their duo to accommodate a third performer, the amateur Benny Adler. “Benny is additionally a mejinik. Through the process, he became a brother. There is a accurateness amid us like three siblings. It is our aboriginal time creating with addition person. He’s allotment of our ensemble now and we accept to construe to him and alteration to him what we are doing. It’s arduous and amazing and has accomplished me a lot,” says Marin.

“We are abutting by an absurd aggregation that has been with us now for several projects. Yoav Barel, the lighting designer, is a huge allotment of our work. Additionally Mish (Michael Rozanov), who illustrated the images for this assignment as able-bodied as for Cut. Loose,” Marin adds.

Marin shares that Mejinik was created at the allurement of Tmuna Theater, a action that bore abundant acceptation throughout the artistic process. “It acquainted absolutely big for us,” she says. “It’s so altered from presenting assignment in a festival. Tmuna is already our home but this allurement was actual moving.”

The action has been accompanied, fittingly, by Marin and Weiner’s earlier siblings. Marin’s earlier sister, Or, is a choreographer, abecedary and administrator of the Netanya-based able training affairs Re-Search (housed in the Marin family’s Habustan Amphitheater and studio) while Raz Weiner hails from the amphitheater field. Marin adds that both the Marin and Weiner ancestor sets will additionally be complex in the achievement but does not appetite to allotment any added capacity about that.

Mejinik will premiere on January 17 and 18, February 21 and 22 at the Tmuna Theater.

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Tags: Israel Hebrew children